Christie Neptune, “They Returned and Rejoiced After The Burning” in Boom! Bang! Wop! A Subversive Cartographic Representation of [The] City (Work-In-Progress), Archival inkjet Print, 90 x 40 inches (228.6 x 101.6 cm)—the Ruskin School of Art (Oxford, UK), May 2026. The above image is a panoramic composite of the body in motion. Through the manipulation of time, my subject's movement across the surveyed territory produces a vertically blurred abstraction, in contest to the imperial tradition of landscape representation. 

Christie Neptune, Ah New Riddim: A Marked (Black) Axiological Shift, Constructs and Context Relativity III (2023), multimedia installation and participatory performance, by Christie Neptune. Documentation photography by Hai Zhang. Cuchifritos Gallery + Project Space (New York, NY), August 5, 2023 - September 16, 2023. Image courtesy of Artists Alliance Inc.

Installation view of En Route Towards El Dorado: Deepened Relations and The Descent Back Home (2022), October 2022 to December 2022 at Grant Wahlquist Gallery (GWG). Exhibition reviewed in Portland Press Herald and The Boston Review. Image courtesy of GWG.

Installation view of “Constructs and Context Relativity II,” (2021) in Social Works at Gagosian, New York, NY, June 24, 2021, to September 11, 2021. Exhibition reviewed in The Wall Street Journal. Image courtesy of Gagosian.

Installation View of Constructs and Context Relativity: Performance I, 2020, multimedia installation of varying dimensions, BRIC-Project Space, February 2020 - April 2020, Image courtesy of BRIC (Brooklyn, NY).

Installation view 'Unpacking Sameness' (2018) in the 15th edition of Art-O-Rama (2021) at the Friche la Belle de Mai in Marseille, France, August 27-August 29, 2021. Winner of the 2021 Prix Medeos. Image courtesy of Art-O-Rama.

Installation view of “She Fell From Normalcy,” (2016) in the Eye of The Storm, 3 Channel HD Video, TRT 7:30 mins, solo exhibition at the Island Gallery, (New York), November 18, 2017 to December 16, 2017. Exhibition reviewed in Artforum, February 2018, VOL. 56, NO. 6. Image courtesy of Island Gallery.