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Full Interview with Lisa Panzera, Director of BMCC Shirley Fiterman Art Center:
Panzera, Lisa. ID: Formations of Self. Exhibition Catalog. Shirley Fiterman Art Center, BMCC, 2020. Pgs 49-53
Installation documentation at Art-O-Rama (Marseille, France).
In 2021, “Unpacking Sameness,”(2018) was awarded the Prix Medeos at Art-O-Rama (Marseille, France).
Film Excerpt: Dismantling Man-Made Constructs, 2018
Single Channel HD Video and Super 8mm Transfer. TRT 11:18 mins.
Mirror and Show Pieces, 2017
24x36. Digital Chromogenic Print. Framed.
3 Editions + 2 AP Prints
© Copyright Christie Neptune 2014-2019
Untitled Assembled Man-Made Construct, 2018
24x36, Digital Chromogenic print.
3 Editions + 2 AP Prints
© Copyright Christie Neptune 2014-2019
Exposing My Limits behind America's Curtain, 2018
24x36. Digital Chromogenic Print.
3 Editions + 2 AP Prints
© Copyright Christie Neptune 2014-2019
Installation documentation at Art-O-Rama (Marseille, France)
In 2021, “Unpacking Sameness,”(2018) was awarded the Prix Medeos at Art-O-Rama (Marseille, France).
Faux legitimacy, 2018
8.5 x 11. Text on Paper with Pin.
© Copyright Christie Neptune 2014-2019
The "Colorline" ™
The social construct of structural racism is given symbolic form in The Colorline, a readymade sculpture including mirror, industrial chrome, and heavy green velvet drapery.
© Copyright Christie Neptune 2014-2019
Closeup of Material, The Colorline, 2019
Velvet green drapery
Head Bowed in Assembled Construct
24x36 Archival Inkjet Print. 2/3 editions.
James Baldwin Quote, 2018
Single Channel HD Video. TRT 35 Secs. Looped quote on CRT monitor.
“I concluded long ago that they found the color of my skin inhibitory. This color seems to operate as a most disagreeable mirror and a great deal of one's energy is expended in reassuring White Americans that they do not see what they see.”
--Excerpt from James Baldwin's 1965 essay, "The White Man's Guilt."
Sitting Like Gordon With Bare-Back , Indigo and Shutter Release in Hand, 2018
20x20. Digital Chromogenic Print. Framed.
3 Editions + 2 AP Prints
© Copyright Christie Neptune 2014-2019
Sitting Like Delia With Bare-Front, Indigo and Shutter Release in Hand, 2018
20x20. Digital Chromogenic Print. Framed.
3 Editions + 2 AP Prints
© Copyright Christie Neptune 2014-2019
Installation Image of Unpacking Sameness (September 8 to October 7, 2018), Brooklyn, NY.
Unpacking Sameness is a multimedia project that examines the social construct of structural racism. Through extensive research, art historical references, assemblage, and the literary concepts of James Baldwin, I wrap time and space to explore the consequential effects of European exploration, colonialism, and transatlantic slave trade on the culture of racism in America.
Installation Image courtesy of NURTUREart
Sugar Cane and Drapery by Trading Warehouse, 2018
20 x 30. Digital Chromogenic print; Plexi face-mount on Aluminum.
3 Editions + 2 AP Prints
© Copyright Christie Neptune 2014-2019
Self by Trading Warehouse With Drapery, 2018
20 x 30. Digital Chromogenic print; Plexi face-mount on Aluminum.
3 Editions + 2 AP Prints
© Copyright Christie Neptune 2014-2019
Installation Image of Unpacking Sameness (September 8 to October 7, 2018), Brooklyn, NY.
Unpacking Sameness is a multimedia project that examines the social construct of structural racism. Through extensive research, art historical references, assemblage, and the literary concepts of James Baldwin, I wrap time and space to explore the consequential effects of European exploration, colonialism, and transatlantic slave trade on the culture of racism in America.
Installation Image courtesy of NURTUREart.
Hardware And Construct In Parts I
30x30. Digital Chromogenic Print. Framed.
3 Editions + 2 AP Prints
© Copyright Christie Neptune 2014-2019
Installation Image of Unpacking Sameness (September 8 to October 7, 2018), Brooklyn, NY.
Installation Image of Unpacking Sameness (September 8 to October 7, 2018), Brooklyn, NY. Unpacking Sameness is a multimedia project that examines the social construct of structural racism. Through extensive research, art historical references, assemblage, and the literary concepts of James Baldwin, I wrap time and space to explore the consequential effects of European exploration, colonialism, and transatlantic slave trade on the culture of racism in America.
Installation Image courtesy of NURTUREart.
